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Conversations
With The Artists |
Robin Renee, an
artist without a label.
By Kas Kawasaki
Maybe
it's just me, but in today's music world one of the best
labels you can put on an artist is "undefined." That
is, to have to no discernible qualities or traits that can be
clearly associated with something or someone else. Actually
in the MUSIC BUSINESS this is not the case, since the laws
of marketing and PR dictate that an artist needs something that
can used as a hook to dangle in front of a prospective audience.
Heaven forbid the music should be allowed to stand and be judged
aloneOkay, so perhaps the term "undefined" is something
of a double edged sword but, I have written before of our need
to quantify things into recognizable categories; a reference
point to anchor any description or comparison. This is all the
more reason why an artist like Robin Renee is such a treat to
discover. This is a performer who cannot and indeed, should not
be defined.
What can you say about Robin Renee's
music? Well, for starters she's not a lot of anything,
but rather a little bit of many styles all thrown together into
a musical blender to produce something completely unique
while still retaining the flavors of the individual ingredients.
She was quoted in an article in New York Blade News as saying,
"I've never purposefully copied anyone, but I've heard from
people that the influence comes out in ways I don't realize."
That same article went on to say that she "is influenced
by singer-songwriters of the 70s and 80s, such as Jackson Browne,
Warren Zevon and Elvis Costello." Take a listen to In Progress,
her first full-length CD (released on her own label, Menage a
Music,) and you notice from the first notes that she definitely
knows how to get her rocks off a la Melissa Etheridge and there
is gentle folk that might, at first, be mistaken for the Indigo
Girls. There are deep pop grooves that make Dionne Farris come
to mind, as well as lush vocals that evoke memories of Joan Armatrading.
Her music is all of this and yet none of it at the same time.
Perhaps the joyous diversity of her
music is a reflection of Robin Renee the person. And what makes
Robin Renee the person tick? Well, music obviously, that's
always been there. Piano lessons were part of her childhood activities
and she joined her first band at the tender age of ten and "toured"
local elementary schools. While a student at Rutgers University
she performed with what her press kit dubbed a "world-beat
rock band" called Spy Gods. She became a fixture in the
New York area scene as a solo performer and as front woman for
a band called The Loved Ones. It is upon learning that she studied
a variety of subjects, such as English literature, biochemistry,
massage therapy and even Irish Gaelic, that one can begin to
see the aforementioned diversity manifest itself in her life
away from music. That said, the artist known as Robin Renee is
also a published poet and essayist with The New York Quarterly,
OUT/LOOK , Northeast Corridor being among the journals in which
her work has appeared. She is also an activist serving as a regional
organizer for BiNet USA and as a events planner for BiZone, an
organization based in New Jersey which aims to support bisexuals
and their friends.
This Southern New Jersey native has
also been a vegetarian for the better part of twenty years. All
this and still not marketable? The Newark Star Ledger called
her sound as having a "jangly, sometimes hard-driving folk-rock
flavor that packs a subtle punch." Listening to In Progress,
there is no denying the rampant energy that each song is imbued
with. Ms. Renee and veteran producer Jayar, who is known for
his work with Chaka Khan, George Benson and McFadden & Whitehead
and, despite his R&B leanings, took the tracks on the album
and made them shine like polished silver while preserving the
songs' urgency and passion. The proof, as they say, lies in the
songs and that should be enough, marketing campaigns be dammed.
We are often put off by things which
cannot be defined but this inability to be explained often gives
these things a mystique, a certain power to captivate and stretch
the imagination. They sometimes even give us a glimpse of our
own potential, a potential that can only be reached if we expand
the boundaries of our ideas and accept the risk that comes with
altering out perspective. If this definition is true than the
music of Robin Renee is gloriously undefined. Amen to that.
www.lilithschild.com
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